Dance Distinctive

April 12, 2025 3:00 PM &
April 13, 2025 3:00 PM

Voices from the Past (2024)

Gianni Di Marco’s striking choreography bridges classical and contemporary.

Choreography: Gianni Di Marco

Music: Lakmé: Act 1 “Flower Duet” by Léo Delibes, arranged by Howard Blake

Costumes: Gianni Di Marco

Lighting Design: Liz Ramey

Juliet Brown, Naoko Brown, Caroline Cooper, Nicole Dickson, Kendra Frank, Morgan Brown Sanborn, Avery Saulnier de Reyes,Rheya Shano, Amane Takaishi, Nicole Volpe


Lucky (2025)

Choreography: Tony Williams

Music: Kat Edmonson

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Meliza Naves Suarez

with Mona Califano, Ciel Desai, Ali Lopes, Sanova Napoleon, Naima Ssembitto, Isla-May Theodore, Aubriella Tran-Diaz


Life: In Color (2017)

The personality of colors on the journey of life

Politics, race, hope & human nature converge in a vibrant ballet journey of emotion, set against a background of rock & jazz of the past 60 years. First performed at the Oberon in 2017, Life: in Color is reimagined for the Strand Theatre. With dynamic choreography and the witty jazz poetry of Ken Nordine, Life in Color celebrates the vibrancy and complexity of the human experience.

Original Concept: Tony Williams

Music: Ken Nordine, Donovan, David Bowie

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Green

choreographed by Tony Williams

Kendra Frank, Margaret Holland, Katie McMahon, Ronnie Thomas

Turquoise

choreographed by Gianni Di Marco

Rheya Shano

Yellow

choreographed by Tony Williams

Juliet Brown, Ronnie Thomas, Tony Tucker

Mellow Yellow

choreographed by Tony Williams

Naoko Brown, Elvis Pietrzak, Nicole Volpe, Brian Washburn

with Sam Belknap, Mona Califano, Ciel Desai, Gabriella Diaz, Ellie Kamosa, Alayna Kristan, Ali Lopes, Sanova Napoleon, Michaela Percoco Mall, Naima Ssembitto, Isla-May Theodore, Aubriella Tran-Diaz

White

choreographed by Gianni Di Marco

Morgan Sanborn

Black

choreographed by Gianni Di Marco

Ronnie Thomas

Flesh

choreographed by Gianni Di Marco

Juliet Brown, Elvis Pietrzak, Amane Takaishi, Brian Washburn

Nutria

choreographed by Tony Williams

Nicole Dickson

with Caroline Cooper, Kendra Frank, Margaret Holland, Gabrielle Honoré, Zoe Arnold O’Grady, Amane Takaishi, Nicole Volpe

Let’s Dance

choreographed by Janelle Gilchrist

Caroline Cooper, Nicole Dickson, Margaret Holland, Meliza Naves Suarez, Zoe O’Grady, Rheya Shano, Ronnie Thomas. Tony Tucker, Nicole Volpe, Brian Washburn


Pause

Ginko Leaves (2025)

Choreographer Chu Ling unites Chinese Classical Dance with ballet to create an elegant exploration of classical movement. This piece is inspired by the ginkgo leaves. The Chinese associate the ginkgo with Zen, as its antiquity and golden splendor symbolize the wisdom and strength of the ancient East. Like the elegant and composed ginkgo leaf, one should savor the present moment and embrace the impermanence of life.

Choreography: Chu Ling

Music: Wu Li

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Juliet Brown, Naoko Brown, Kendra Frank, Gabrielle Honoré, Katie McMahon, Morgan Brown Sanborn, Avery Saulnier de Reyes, Amane Takaishi


a string of successive variations (2025)

A world premiere created to Maurice Ravel’s Tzigane. Inspired by the rhapsodic nature of Ravel’s composition, Chapman’s choreography captures the tension between freedom and form. The rehearsal process was a close collaboration between Chapman and the three performers, whose individual artistry helped shape the choreography.

Choreography: Lorraine Chapman

Music: Maurice Ravel

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Caroline Cooper, Nicole Dickson, Margaret Holland


Airs and Dances (1985)

Choreography: Tony Williams

Music: Ottorino Respighi

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Haissan Booth, Juliet Brown, Nicole Dickson, Kendra Frank, Morgan Brown Sanborn, Rheya Shano, Amane Takaishi


Intermission

Ben’s Trumpet

Based on the Caldecott Honor Award book,

“Ben’s Trumpet” by Rachel Isadora

Premiered: 2009, Wheelock Family Theater

Principal Choreography: Tony Williams

aTisket, aTasket Choreography: Janelle Gilchrist

Additional Choreography: Erika Lambe, Betsy Khalil, Ronnie Thomas

Set Design: Charles G. Baldwin

Costumes: Erika Lambe

Lighting Design: Liz Ramey

Featuring the music of

Louis Armstrong, Fletcher Henderson, Bessie Smith, Hot Lips Page, The Mills Brothers, Gene Krupa, Dizzy Gillespie, Roy Eldridge, Louis Jordan, The Orioles, Ella Fitzgerald, Chick Webb, Lionel Hampton, and Billie Holiday

Ben: Kendric White

Trumpeter: Ronnie Thomas

Mother: Naoko Brown

Father: Tony Tucker

Grandmother: Erika Lambe

Waiter: Elvis Pietrzak

Cigarette Girl: Juliet Brown

Maître d’: Gianni Di Marco

Chef: Jim Ansart

“Hot Mallets” Trio: Margaret Holland, Nicole Volpe, Brian Washburn

Ensemble

Haissan Booth, Caroline Cooper, Nicole Dickson, Kendra Frank, Margaret Holland, Gabrielle Honoré, Katie McMahon, Zoe Arnold O’Grady, Avery Saulnier de Reyes, Rheya Shano, Nicole Volpe, Brian Washburn

Youth Ensemble

Sylvie Alperen, Sam Belknap, Mona Califano, Soleil Desai, Gabby Diaz, Ellie Kamosa, Alayna Kristan, Ava Kristan, Ali Lopes, Tess McAuliffe, Sanova Napoleon, Caroline Nelson, Michaela Percoco Mall, Eva Sawyer, Nicole Sillice, Leiya Silveira, Naima Ssembitto, Naomi Tarantino, Isla-May Theodore, Aubriella Tran-Diaz, Kendric White, Annalena Zhu

Ben’s Trumpet Synopsis

Scene 1: 1940’s City Street

Ben sits out on the fire escape in the evening. He hears the jazz floating up from the Zig Zag Club and a loud trumpet solo suddenly catches his attention. He begins imitating the silhouette of the trumpet player, holding an imaginary trumpet. He moves his fingers on the imaginary valves and puffs his cheeks, dreaming of the day he could play a real trumpet.

Scene II: Apartment

Mother finishes up the day’s laundry, while Grandmother listens to the radio. Mother calls Ben in from the fire escape. He comes in and dances around the apartment, still playing his imaginary trumpet. Father comes home and greets Mother. They are interrupted by Father’s friends knocking on the door for poker night.

Scene III: 1940’s City Street

The street is busy as Ben’s neighbors go about their day. The Waiter and Cigarette girl dance through the street on their way to work at the Zig Zag Club. Ben’s Mother and Father stop to talk with some friends. Kids dance and play on the sidewalks.

Scene IV: The Zig Zag Club

In the early evening, the maître d,’ waiter and cigarette girl and waiter prepare the club for the evening guests. As the guests arrive, they are greeted, and shown to their tables by the maître d.’

Scene V: 1940’s City Street

The next morning, Ben sits on the street playing his trumpet again. The neighborhood kids come along and tease him. They don’t understand Ben’s imaginary trumpet, and they ridicule him for pretending. Ben realizes that he doesn’t really have a trumpet. He stops playing and looks at his empty hands. The trumpeter comes along again, on his way to the club. He asks Ben what’s the matter, and Ben tells him that he doesn’t have a trumpet. The trumpeter recognizes Ben’s dream – he had the same one when he was a boy. The trumpeter puts his arm around Ben’s shoulder and leads him toward the club. He reaches into the darkness and brings out a gleaming trumpet and places it in Ben’s hands.


The Strand Theatre is a restored vaudeville house located in Uphams Corner in Dorchester, Massachusetts. It is owned by the City of Boston and managed by the Office of Arts and Culture. Building facility management is handled by the Department of Neighborhood Development. The Strand opened on November 11, 1918, in celebration of Armistice Day – the end of World War I. It originally presented live performances and silent films. The Strand features one of the first Wurlitzer theater organs in America, now on display in our lower lobby.

Please take a moment to observe the exit signs located on either side or the rear of the auditorium. In case of an emergency please walk to the nearest exit. During fire alarms the elevators automatically switch off and all wheelchair patrons will be assisted to the nearest safe exit. If you are accompanying someone who will need assistance in an emergency, please make this aware to an usher or security personnel. If you observe an emergency please notify a staff member immediately.

Please keep all aisles, stairs and walkways clear during the show. Please turn off all cell phones during the performance. As with all public buildings, there is no smoking or vaping devices allowed. There are no cameras or videotaping allowed, unless authorized. This includes cell phones. We thank you for your cooperation.

Please enjoy the show!

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